Upon viewing A
Child is Crying and hearing that infamous line, “you created me!”, I began
to ponder on the U.S. Government’s involvement in trying to recreate children
like the little girl in the film. Lily, the child in the film, is a prodigy in
math and science and due to her exceptional abilities is considered a “national
resource” by the government. In her evaluation it is decided by the congressman
and army official that she should be stripped from her family and kept in the
laboratory to benefit the nation with her exceptional scientific knowledge. She
is essentially robbed of her innocence as a child to act as a resource to U.S.
National Security.
By the end of the film Lily is returned to a “regular”,
child-like state by use of an antidote that leaves her in shambles, crying with
all the men surrounding her forced to view the shattering of her innocence,
which they have produced. In the words of the scientist, “all we can do now is stand
in the dark and gloom and watch a little child cry”.
The theme of nuclear warfare robbing U.S. citizens
of their regularity continues on in the next film, Atomic Attack. When a
nuclear attack is staged on New York City, it is apparent that the “regular” is
also disturbed. The eldest child in the house, Barbara, has to assume the role
of a mature adult by caring for their boarding guests and her little sister who’s
been effected by radiation. When one of the doctor’s in the film remarks that
Barbara is just a “kid” and is not equipped to deal with such tumultuous
situations her mother replies, “Kids? Not Barbara. Not the way she’s grown up
this past week”.
In both films, it is easy to see the shattering of
children’s innocence is a main theme—an agenda of desensitizing, if you will.
This theme is carried on into reality if you look into the history of the
nuclear age.
These films both prompted me to think of the change
in the school curriculums when concerning math and science in the nuclear age.
I found a book by John L. Rudolph which supported my train of thought. The
argument he makes in his book is that the exploitation of education began in
the mid-1950s in order to create a society of scientific elitists. Scientific
knowledge became the “price of survival” in a country which was now empowered
by nuclear weaponry. The life-adjustment curriculum which existed prior to
nuclear warfare was now on a steady decline to give way for a focus on math and
science education. After the events at Hiroshima and Nagasaki and into the Cold
War, ideals such as, social, personal, and vocational needs previously focused
upon in school curriculums were now forgotten and the U.S. Government was
geared towards engineering scientific prodigies such as the child in A Child is Crying in order to fuel this
nuclear nation—scientific expertise was the National Security arsenal.
In short, the science fiction films, A Child is Crying and Atomic Attack, seem not so fictitious when put into the context of the social reality during the nuclear age.
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